The Continental Book Company AB (Stockholm, London)
Series dates: 1942-1950
Size: 4.75″ x 7.25″
The Continental Book Company was a subsidiary of the Bonnier Group media corporation (with its origins in publishing, founded in 1804). The Continental Book Company was organized in 1942 to issue the Clipper Books and Zephyr Books series. The Clipper Books were clothbound and replicated the books and jacket designs of the original titles. The series reached only 19 titles. The more lucrative paperbound Zephyr Books reached 230 volumes (some double volume titles) in 1945. The last Clipper Books title was published in 1946, the last Zephyr Books title was published in 1949.
The Zephyr Books were modeled after Tauchnitz Editions: English language titles aimed at a European market, lately abandoned by Tauchnitz (already in decline in the 1930s, the firm’s facilities were destroyed in a bombing raid in December of 1943). The series had color-coded categories and dust jackets, like Tauchnitz Editions. Books were sold in Sweden, Switzerland, Portugal, Turkey, Hungary, Italy, occupied Denmark and the non-occupied zone of France. (source)
Zephyr Books continued after the war, but the last books were issued in 1950, the victim of competition from rapidly expanding UK and US paperback series.
An excellent resource on this series is Zephyr Books (compiled by Peter Andrén). The Wikipedia page for the Zephyr Books series also contains a list of titles in the series. I’ve replicated the series title list from the Wikipedia page at the end of this entry.
This copy of Osbert Sitwell’s Open the Door is dated 1947. The jacket front, shown below, is the design used throughout the series lifespan. Two white bars reversed out of a colored background extend across the front, spine, and back of the jacket. The jacket spine includes the author, title, series name and colophon, and series number (#109 in this case). The front jacket flap includes a blurb about the title, then begins a list of Zephyr Books titles.
The rear of the jacket is blank, besides the bars and color. The rear jacket flap continues the list of titles and includes the publisher name. Series books are divided into six categories:
Red Volumes: Modern American Authors
Blue Volumes: Modern English Authors
Green Volumes: Classics
Grey Volumes: Anthologies and Special Volumes
Light Blue Volumes: Poetry and Drama
Yellow Volumes: Detective Fiction and Thrillers
The list of titles on this book continues on the back of the dust jacket, on the two jacket flaps. This list goes up to #160. The series would reach 230 titles in 1949.
The card binding (wraps) are white, and it’s easy to distinguish jacketed from unjacketed copies in a photograph. Red lines replace the white bars, otherwise, the series name and colophon, title and author follow the typography on the jacket. The publisher’s name is added to the bottom of the front cover. As with Tauchnitz Editions and other similar series, a note indicates that the book is “Not to be introduced into the British Empire or the USA.”
The books open directly to the half-title page, which includes the series name, “A Library of British and American Authors,” the series number and title.
The title page:
“Copyright 1947 by The Continental Book Company AB, Stockholm. This edition not to be introduced into the British Empire or the U.S.A. Printed by Albert Bonniers Boktryckeri, Stockholm.”
Book number | Author | Title | Years printed |
---|---|---|---|
001 | Ernest Hemingway | A Farewell to Arms | 1942, 1943, 1945, 1947 |
002 | Dorothy Parker | After Such Pleasures | 1942, 1943, 1944, 1946 |
003 | Clarence Day | Life with Father | 1942, 1944, 1945 |
004 | Charles Morgan | The Voyage | 1942, 1944, 1945 |
005 | Christopher Morley | Kitty Foyle | 1942 |
006 | William Shakespeare | Six Plays | 1943, 1946 |
007 | John Steinbeck | Tortilla Flat | 1942, 1943, 1945, 1947, 1949 |
008 | Emily Brontë | Wuthering Heights | 1943, 1945, 1946 |
009 | Freeman Wills Crofts | The Pit-Prop Syndicate | 1943, 1945 |
010 | Dorothy Sayers | Murder Must Advertise | 1943, 1944, 1946 |
011 | Jane Austen | Pride and Prejudice | 1943, 1945, 1947 |
012 | Louis Bromfield | Twenty-four Hours | 1943, 1944, 1946, 1949 |
013 | Howard Spring | Fame is the Spur 1 | 1943, 1946 |
014 | Howard Spring | Fame is the Spur 2 | 1943, 1946 |
015 | Aldous Huxley | Brave New World | 1943, 1944, 1945 |
016 | John Steinbeck | The Moon is Down | 1943, 1944, 1945, 1946, 1947 |
017 | James Hilton | Random Harvest | 1943, 1945 |
018 | James Joyce | A Portrait of the Artist as a Young Man | 1943, 1945 |
019 | Dashiell Hammett | The Maltese Falcon | 1943, 1946 |
020 | Edna Ferber | Saratoga Trunk | 1943, 1944, 1945 |
021 | W. Somerset Maugham | Of Human Bondage 1 | 1943, 1945, 1949 |
022 | W. Somerset Maugham | Of Human Bondage 2 | 1943, 1945, 1949 |
023 | Robert Louis Stevenson | Treasure Island | 1943 |
024 | Dorothy Sayers | Clouds of Witness | 1943, 1949 |
025 | Lytton Strachey | Queen Victoria | 1943, 1945 |
026 | Ernest Hemingway | For Whom the Bell Tolls | 1943, 1945, 1946 |
027 | John Buchan | The Thirty-Nine Steps | 1944, 1946 |
028 | John Steinbeck | The Grapes of Wrath | 1943, 1948 |
029 | Cecil Scott Forester | The Happy Return | 1944, 1945 |
030 | Cecil Scott Forester | A Ship of the Line | 1944, 1946 |
031 | Cecil Scott Forester | Flying Colours | 1944, 1946 |
032 | Ngaio Marsh | Enter a Murderer | 1944, 1945 |
033 | P. G. Wodehouse | Money in the Bank | 1943, 1945, 1946, 1947 |
034 | Pearl Buck | Dragon Seed | 1943, 1945, 1947 |
035 | Mark Twain | Huckleberry Finn | 1944, 1945 |
036 | Ronald Fraser | Financial Times | 1944, 1946 |
037 | James Hilton | And Now Good-Bye | 1944, 1946 |
038 | William Makepeace Thackeray | Vanity Fair 1 | 1944, 1946, 1947 |
039 | William Makepeace Thackeray | Vanity Fair 2 | 1944, 1946, 1947 |
040 | Freeman Wills Crofts | Man Overboard! | 1944, 1946 |
041 | John Steinbeck | The Long Valley | 1944, 1946, 1948 |
042 | Charlotte Brontë | Jane Eyre | 1944, 1947 |
043 | Dorothy Parker | Laments for the Living | 1944, 1946 |
044 | Charles Nordhoff | Mutiny! | 1944 |
045 | John Boynton Priestley | Daylight on Saturday | 1945 |
046 | Nathaniel Hawthorne | The Scarlet Letter | 1944, 1946 |
047 | Dorothy Sayers | Lord Peter Views the Body | 1944, 1946 |
048 | Izaak Walton | The Compleat Angler | 1945 |
049 | Ellery Queen | The Roman Hat Mystery | 1945, 1947 |
050 | Charles Dickens | Oliver Twist | 1944, 1947 |
051 | Ebba Dalin, Editor | The Zephyr Book of American Verse | 1945 |
052 | Ebba Dalin, Editor | The Zephyr Book of American Prose | 1945 |
053 | Graham Greene | The Power and the Glory | 1945, 1947, 1949 |
054 | Marjorie Kinnan Rawlings | The Yearling | 1945 |
055 | William Saroyan | The Human Comedy | 1944 |
056 | George Meredith | The Egoist | 1945, 1947 |
057 | Lin Yutang | The Importance of Living | 1944, 1945, 1948 |
058 | Peter De Polnay | Water on the Steps | 1944 |
059 | Michael Sadleir | Fanny by Gaslight | 1945 |
060 | M. and R. Bottrall, Editors | The Zephyr Book of English Verse | 1945, 1948 |
061 | John Bunyan | The Pilgrim’s Progress | 1945, 1946, 1947 |
062 | Anthony Berkeley | The Silk Stocking Murders | 1946 |
063 | George Eliot | Silas Marner | 1945 |
064 | Anthony Thorne | I’m a Stranger Here Myself | 1945 |
065 | Joyce Horner | The Wind and the Rain | 1945, 1946 |
066 | Elizabeth Gaskell | Cranford | 1945 |
067 | Lewis Carroll | Alice’s Adventures in Wonderland and Through the Looking-Glass | 1946 |
068 | William Faulkner | The Wild Palms | 1945, 1947 |
069 | Oliver Goldsmith | The Vicar of Wakefield | 1945, 1946 |
070 | Jonathan Swift | Gulliver’s Travels | 1945 |
071 | W. Somerset Maugham | The Razor’s Edge | 1945, 1948 |
072 | Elizabeth Bowen | To the North | 1946 |
073 | Erskine Caldwell | God’s Little Acre | 1945 |
074 | C. S. Forester | The Captain from Connecticut | 1945 |
075 | Charles Nordhoff | Botany Bay | 1945 |
076 | Stella Gibbons | The Rich House | 1945 |
077 | Nevil Shute | Pastoral | 1945, 1946 |
078 | John Steinbeck | Cannery Row | 1945, 1946 |
079 | G. K. Chesterton | The Scandal of Father Brown | 1945 |
080 | A. E. W. Mason | Musk and Amber | 1946 |
081 | Walter Van Tilburg Clark | The Ox-Bow Incident | 1946 |
082 | Dorothy Sayers | Unnatural Death | 1946 |
083 | John Steinbeck | Of Mice and Men | 1945, 1948 |
084 | G. K. Chesterton | Charles Dickens | 1946 |
085 | T. S. Eliot | Murder in the Cathedral | 1945, 1948 |
086 | Erskine Caldwell | Tobacco Road | 1945, 1947 |
087 | Dorothy Sayers | The Unpleasantness at the Bellona Club | 1948, 1950 |
088 | Harold Nicolson | Some People | 1946 |
089 | Graham Greene | A Gun for Sale | 1947 |
090 | Margaret Storm Jameson | Cousin Honoré | 19?? |
091 | Francis Iles | Malice Aforethought | 1946 |
092 | Dorothy Sayers | Strong Poison | 1949 |
093 | Ernest Raymond | We, the Accused | 1946 |
094 | Cecil Scott Forester | The Ship | 1945, 1946 |
095 | John Buchan | The Three Hostages | 1947 |
096 | Ernest Raymond | For Them that Trespass | 1947 |
097 | Oscar Wilde | An Ideal Husband and The Importance of Being Earnest | 1946 |
098 | Helen MacInnes | Above Suspicion | 19?? |
099 | Christine Weston | Indigo | 1947 |
100 | Artur Lundkvist, Editor | Twelve Modern Poets | 1946 |
101 | James Aldridge | Signed with Their Honour | 1945 |
102 | Kate O’Brien | The Last of Summer | 1948 |
103 | Rachel Field | And Now Tomorrow | 1945 |
104 | Edith Sitwell | The English Eccentrics | 1947 |
105 | Pearl Buck | The Promise | 1945 |
106 | Mark Twain | The Adventures of Tom Sawyer | 1948 |
107 | John Boynton Priestley | Black-out in Gretley | 1945 |
108 | E. X. Ferrars | Neck in a Noose | 1947 |
109 | Osbert Sitwell | Open the Door | 1947 |
110 | Frank Tilsley | I’d do it Again | 1947 |
111 | Kate O’Brien | The Land of Spices | 1947 |
112 | Carson McCullers | The Heart is a Lonely Hunter | 1947 |
113 | Mignon G. Eberhart | Speak no Evil | 1947, 1948 |
114 | Charles R. Jackson | The Lost Weekend | 1946 |
115 | Osbert Sitwell | Before the Bombardment | 19?? |
116 | Rose Franken | Claudia | 1945 |
117 | Eudora Welty | A Curtain of Green | 1947 |
118 | Carson McCullers | Reflections in a Golden Eye | 1947 |
119 | Phyllis Bottome | The Mortal Storm | 1947 |
120 | William Faulkner | Sanctuary | 1947 |
121 | Mignon G. Eberhart | Wings of Fear | 1947 |
122 | Charles Dickens | David Copperfield 1 | 1947 |
123 | Charles Dickens | David Copperfield 2 | 1947 |
125 | Gertrude Stein | The Autobiography of Alice B. Toklas | 1947 |
126 | Christopher Isherwood | Goodbye to Berlin | 1947 |
127 | Walter De la Mare | Memoirs of a Midget | 1948 |
128 | A. E. W. Mason | Königsmark | 1947 |
129 | Robert Louis Stevenson | Dr. Jekyll and Mr. Hyde | 1950 |
130 | Jane Austen | Emma | 1947 |
133 | Edward Morgan Forster | Howards End | 1948 |
137 | David Cecil | The Young Melbourne | 1949 |
139 | Bruce Marshall | All Glorious Within | 1946 |
140 | Nevil Shute | Most Secret | 1947 |
144 | Eugene O’Neill | Mourning Becomes Electra | 1948 |
146 | Ernest Hemingway | The Sun Also Rises | 1947 |
147 | Daphne Du Maurier | Hungry Hill | 1946, 1947 |
148 | Raymond Chandler | The Big Sleep | 1947 |
149 | Edison Marshall | Benjamin Blake | 1946 |
151 | Christopher Isherwood | Prater Violet | 1946 |
152 | Nevil Shute | Pied Piper | 1947 |
153 | Samuel Shellabarger | Captain from Castile 1 | 1947 |
154 | Samuel Shellabarger | Captain from Castile 2 | 1947 |
155 | Nigel Balchin | Mine Own Executioner | 1948 |
156 | P. G. Wodehouse | Joy in the Morning | 1947 |
157 | Edmund Wilson | Memoirs of Hecate County | 1947 |
158 | Henry James | The Aspern Papers | 1947 |
159 | Henry James | The Turn of the Screw | 1947 |
161 | Erskine Childers | The Riddle of the Sands | 1948 |
162 | Raymond Chandler | The Lady in the Lake | 1948 |
166 | John Masefield | Sard Harker | 19?? |
167 | Irving Stone | Lust for Life 1 | 1949 |
168 | Irving Stone | Lust for Life 2 | 1949 |
169 | George Hopley | Night has a thousand eyes | 1948 |
170 | Margaret Storm Jameson | The Other Side | 1947 |
179 | Dorothy Sayers | Have his Carcase | 1948 |
180 | William Saroyan | The Daring Young Man on the Flying Trapeze | 1948 |
181 | Kenneth Fearing | The Big Clock | 1948 |
188 | H. E. Bates | A House of Women | 1948 |
199 | John O’Hara | Appointment in Samarra | 1948 |
201 | Raymond Chandler | The High Window | 1948 |
209 | William Sansom | Fireman Flower and Other Stories | 1949 |
211 | Denys Val Baker | The White Rock | 1948 |
223 | Carter Dickson | She Died a Lady | 1948 |
227 | James Hilton | Contango | 1948 |
228 | W. Somerset Maugham | The Gentleman in the Parlour | 1949 |
229 | Ernest Hemingway | To Have and Have Not | 1947 |
230 | Betty MacDonald | The Egg and I | 1949 |